It’s the year’s most honest film, deeply sincere in its characters, melancholy, and, above all, humanity, as it navigates both the burden and beauty of familial expectations.
Priscilla is a ravishing tale of a doomed romance, and though it will divide fans of the King, it’s an important look at a figure who’s long been denied a voice of her own.
Martin Scorsese crafts a powerful reckoning with the greed, entitlement, and duplicity through which the West was won. It’s a rare epic that sets the record straight, deconstructing the mythos on which The United States was erected.
Though hampered by some uninspired choices, ‘The Last Voyage of Demeter’ is a sturdy exercise in atmospheric thrills and a lived-in setting, one that puts a fresh, imposing spin on an age-old figure.
Though ‘Dial of Destiny’ has all the right pieces to be another classic entry in the saga, it quickly runs out of steam, transforming into a serviceable journey that’s undeserving of the whip.
No cinematic style is as eclectic, textural, and purely recognizable as that of Wes Anderson’s canon. From the dioramic, dollhouse-like production design; the sparklingly ornate
Celine Song’s cinematic debut, the miraculously bittersweet Past Lives, opens with a painful exterior perspective in a New York bar. An outward set of eyes
