
Cannes 2023: ‘The Old Oak’ Review
Ken Loach’s ‘The Old Oak’ is a love letter and testament to the hope and inspiration that refugees breathe into our communities.

Ken Loach’s ‘The Old Oak’ is a love letter and testament to the hope and inspiration that refugees breathe into our communities.

Kaouther Ben Hania’s ‘Four Daughters’ emerges as a remarkable cinematic achievement that defies stereotypical and simplistic portrayals of Islam.
DreamWorks’ ‘Ruby Gillman: Teenage Kraken’ tries to dive deep with its coming-of-age story using grander mythology, but it stays near the shore with its underdeveloped plot and characters.

Though ‘Dial of Destiny’ has all the right pieces to be another classic entry in the saga, it quickly runs out of steam, transforming into a serviceable journey that’s undeserving of the whip.

Adult comedies have become scarce in the industry in recent times, especially good adult comedies. Seth Rogen made this genre very much his own and now that he’s not making too many himself, there haven’t been many candidates to step up and fill that vacancy. Gene Stupnitsky previously directed Good Boys (produced by Seth Rogen) and is no stranger to

‘Extraction 2’ is a worthy action-packed sequel with explosive action and a great returning cast, though it gets caught up in the rush of it all.

‘Nimona’ is a heartfelt fantasy tale about acceptance, understanding, and companionship in a world driven by division.

Pixar is renowned for crafting heartwarming stories with top-notch animation and storytelling. Their stories teach morals, depict real emotions, and their formula has created incredible films. Even when their movies have had relatively straightforward or generic storylines, they’ve managed to make them emotionally compelling and entertaining. This year, Pixar brings us their 27th film Elemental, whose familiar story brings a